DAN ASHER – ‘AN ANTHROPOLOGIST ON MARS’
OPENED MARCH 16, 2018
the show is up thru . . APRIL 22, 2018
MARTOS GALLERY, 41 ELIZABETH ST, CHINATOWN, NYC
‘After reading ‘An Anthropologist on Mars’, (1995) by Oliver Sacks, DAN ASHER remarked to a friend, “that’s me!”. The story he was referring to is one of seven in this collection of paradoxical tales of neurological disorders and creativity. The titled tale is about Temple Grandin. Grandin said she could understand ‘simple, strong universal’ emotions but couldn’t comprehend … the emotional games people play. She spoke of heightened sensations to an almost excruciating level and had difficulty following usual codes of human interactions. “Much of the time”, she said, “I feel like an anthropologist on Mars.”
‘Before passing away in 2010, Dan Asher (b.1947, Cleveland, Ohio) exhibited internationally for almost four decades. A capricious (!!) character who worked like an anthropologist; observing and documenting human behavior, and admired the fine balance between both the inspiration and malaise of city life. Known for his photography, video, drawing, painting and sculpture, Asher always tried to push beyond what we know and are comfortable with, and what we fear. AS a result, his works reflect his infatuation with the human element and our poetic relations with one another.’
~gallery press release
having known Dan since 1981, I would add to that, that he was also a visionary (the iceberg & extreme wrestling photographs). a dramatic, tormented, and obsessive ‘scribbler’ . . parsing in ink, or pencil, his ‘codes’ to the universe. in a word, a shaman: both in his art works & as seen through his videos / one who could reach out and grab the heart of the matter, by the throat !! and then swish it out on paper – in few intense gestures, but who had difficulty ordering a bowl of soup, without getting thrown out / for making a rude comment. often erring on the funny, as opposed to the mean side of ‘civilization’ . . as we know it, inclined as we are as a group – to hypocritically accept life with all its quirks, and nonsense – something he could never understand.
note: on the occasion of ‘An Anthropologist on Mars’, there will be a short program of Dan’s ‘documentary’ films at Anthology Film Archives, April 3rd, 2018 at 7:30 PM.
see: SPECIAL SCREENINGS, ‘THE VIDEOS OF DAN ASHER’, APRIL 3, 2018 / ANTHOLOGY FILM ARCHIVES
PIX FROM THE OPENING:
DAN ASHER . . ‘AN ANTHROPOLOGIST ON MARS’, MARTOS GALLERY, MARCH 16, 2018.
JOSE MARTOS, with . . BEN BERLOW, executor of the Dan Asher Estate.
EBONY L. HAYNES, Martos Gallery director, who produced the show / and, who, without ever having meet the mightily brooding man himself, captured his intensity . . nonetheless.
you got the full sweep, and contrariness of emotion . . of Dan’s work immediately upon entering.
the generous platform of small, ‘anthropomorphic’, robed, and teasing clay forms – and then all around, the deliberate lay-out of the paintings and drawings, with again, a generosity of spacing / just enough open, empty quiet a space to let you ponder . . the full thought, painterly gesture, & raw emotion.
to take in, the ‘scream’ of the ultimate, solitary ‘outsider’ . . who could not understand why?, he didn’t just flow with the rest of the river, when he so understood the powers of art and music.
you walked among the works / as if in a garden of strange fruit, and even stranger . . trees.
the biggest is 12-1/2 x 8-1/2 x 8 in. / the smallest: 5.8 x 3.4 x 5 in.
white clay, fired but not glazed . . they date from 1994.
some were like shelters. some were little monks, some were like books. some were like beckoning, shy sirens.
Anthropology defined . . in a handful of clay.
DAN ASHER, ‘Untitled’, 1980s.
oil on canvas. 59 x 52-1/2 in.
DAN ASHER, R.I.P.
ghost army . . of one.
KUBI NNAMDIE . . of RESTAURANT PROJECTS.
the work on the wall:
DAN ASHER, ‘Untitled’, oil on canvas, 1980s.
MARTOS GALLERY, Chinatown, NYC. 2018.
DAN ASHER, ‘Untitled’, 1980s.
painting on canvas, 71 x 58-1/2 in.
DAN ASHER . . . Anthropologist
DAN ASHER . . . Shaman
on the left:
DAN ASHER, ‘Untitled’, 1985.
oil on canvas, 78 x 71 in.
om the right:
DAN ASHER, ‘Untitled’, 1980s
oil on canvas, 59 x 24-1/2 in.
PHOTOS: NANCY SMITH
~DAN ASHER . . ‘AN ANTHROPOLOGIST ON MARS’ / MARTOS GALLERY / PIX FROM THE OPENING |
Posted in The Bomb | By Nancy Smith | March 20th, 2018, 12:02pm
DAN ASHER – ‘AN ANTHROPOLOGIST ON MARS’
up thru APRIL 22, 2018
MARTOS GALLERY
DAN ASHER, ‘Untitled’, 1980s
painting on canvas. 71 x 58-1/2 in.
($40,000)
IMAGE VIA MARTOS GALLERY
~DAN ASHER . . ‘AN ANTHROPOLOGIST ON MARS’ / MARTOS GALLERY / LARGE PAINTING on CANVAS |
Posted in The Bomb | By Nancy Smith | March 19th, 2018, 10:14am
DAN ASHER – ‘AN ANTHROPOLOGIST ON MARS’
MARCH 16 – APRIL 22, 2018
MARTOS GALLERY, 41 ELIZABETH ST., CHINATOWN NYC
HRS: TUES-SUN / 10AM – 6PM
OMG, WHAT A GORGEOUS SHOW !!
I WAS SCREAMING, ON THE INSIDE: DAMN YOU, DAN !! DAMN YOU, SIMON – for not being around to see this !!
R.I.P.
DAN ASHER, ‘Untitled’, 1980s.
oil stick on paper, 25-7/8 x 18-7/8 in.
($10,000)
DAN ASHER, ‘Untitled’, 1982
oil stick on paper, 26 x 19 in.
($10,000)
DAN ASHER, various (fired) clay sculptures
ranging in height, from 2 to 7 in.
($2,000-$4,000)
ARCHIVAL PHOTO: SIMON CERIGO, DAN ASHER, and NANCY SMITH
TRIBECA, NYC. 1981.
COLLECTION: KATE & THEO CERIGO / 1981 PHOTO TAKEN BY A FRIEND.
FOUND ON ONE OF SIMON’S NEWSPAPER PIECES, with blue oil stick outline.
PHOTOS: NANCY SMITH – UNLESS OTHERWISE NOTED
~DAN ASHER . . ‘AN ANTHROPOLOGIST ON MARS’ / MARTOS GALLERY |
Posted in The Bomb | By Nancy Smith | March 17th, 2018, 1:24pm
DAN ASHER – ‘AN ANTHROPOLOGIST on MARS’
OPENS FRI MARCH 16, 2018 / 6 – 8 PM
the show runs thru APRIL 22, 2018
GALLERY MARTOS, 41 ELIZABETH ST., CHINATOWN, NYC
HRS: TUES-SUN / 10AM – 6PM
with . . NEVER BEFORE SEEN WORKS FROM THE ESTATE !!!!
‘THE KING’ – IS IN THE HOUSE !!!!
DAN ASHER, ‘UNTITLED’, 1980s, oil on canvas. 56 x 56 in.
IMAGE COURTESY: MARTOS GALLERY.
~DAN ASHER . . GALLERY MARTOS, NYC / OPENING FRI MARCH 16 / 6-8 PM !! |
Posted in The Bomb | By Nancy Smith | March 15th, 2018, 10:59am
$100 – CASH & CARRY !!!!!
ORIGINAL ARTWORK – SIGNED & DATED !!!!!
WE GOT – 3 !!!!!
‘VELVET ROPES’ / a guest ‘performance’ at the Agatha/Vi Ser Pa Kunst, booth . . NADA NYC, Sun March 11th
was presented by GIFC/GOT IT FOR CHEAP a project of . . O-Ola, L.A.
it included over 60 artists’ original works on paper – all priced at $100.
all signed & dated / cash & carry.
ANDREW GUENTHER, drawing & cigarette on paper. approx. 11-1/2 x 16-1/2 in. / GIFC $100. / SIGNED & DATED 2018.
towards the end of the last day, while I was retrieving my ‘SpongeBob’ fleece/quilt, from the ‘ESSEX FLOWERS – HOME EDITION’ booth, my kid Theo went to check out ANDREW GUENTHER’S work . . at GIFC/’VELVET ROPES’ – at the Agatha/Vi Ser Pa Kunst booth. Andrew had posted about it – on his Instagram: @andrewguenther_art
lol, he came back . . with 2 !!
ANDREW GUENTHER, white & black paint (clock ‘face’), & black ink drawing (her body) on photo print, approx. 11-1/2 x 16-1/2 in. / GIFC $100. / SIGNED & DATED 2018.
this image harked back to a much earlier painting series of Andrew’s, that had originated in part with paper plates, & maybe Picasso ? . . and, which later morphed into his ‘Mother Nature – Earth Mother’. . pendant series.
see: ANDREW GUENTHER / EAT THE LEAF: Earth Mother Pendant
(& yes, we have 3 !!)
& yes, they were both signed, and dated on the front, & in both cases – in the left-hand corner.
I had – to see this !!
CHRIS REXROAD . . of GIFC/O-OLA GALLERY, L.A., and VICTORIA DUFFEE, co-editor of Vi Ser Pa Kunst Magazine, Norway.
O-OLA . . is a gallery “located in Chinatown, Los Angeles, CA & home base for the traveling show series: GIFC/GOT IT FOR CHEAP.
VICTORIA DUFFEE is . . “an American artist based in Oslo. She received her BFA from SVA/School of Visual Arts in NYC and is now an MFA candidate at Oslo National Academy of the Arts. Her work has been exhibited in New York City and Los Angeles, as well as at Yale University in Connecticut.” ~Vi Ser Pa Kunst
Vi Ser Pa Kunst / (We Look at Art) . . published out of Oslo, Norway / is edited by ANDREAS BREVIK & VICTORIA DUFFEE.
see: Vi Ser Pa Kunst / viserpakunst.com
the GIFC art works were displayed in a few large binders, and there were quite a few works for offer, in the ANDREW GUENTHER ‘section’.
all $100 – CASH & CARRY.
this one was . . . amazing !!
detail, ‘male reproduction parts’ / looking like long white candles, hand-painted on folk art pottery, on a
‘national geographic’ photo . . ANDREW GUENTHER / GIFC series.
ANDREW GUENTHER, ‘CLOCK’ . . some were very graphic.
this painted & collaged piece, was very . . post-modern.
ANDREW GUENTHER, ink & crayon, possible self-portrait (!!!!).
approx. 11-1/2 x 16-1/2 in. / GIFC $100. / SIGNED & DATED 2018.
my fave !!
was still, the very first one. the crazy, mad one / the naked dude on a deserted island !!
but, still . . dancing.
it might be . . just a guess, but guess – I will:
I think this is how Andrew feels, a lot of the time / art world be damned.
yes. I know – the feeling.
and. just like that.
you throw your money down, you get the work !!
Vi Ser Pa Kunst . . .
the magazine is quite – the riot !!
esp for an art – mag !!
designed like a retro American ‘How to’/’crafts’ book, it has a nice shiny feel, and a great, small paperback book . . ‘weight’.
slim. really lively graphics – throughout. fun to turn the pages.
with a great range of articles inside, some quite colorful.
it’s not afraid to be nationalistic & homey, either.
so surprising, so refreshing. so dis-arming !!
“STREET ART/VEGETABLE FARMING – HOW TO BE A SAMI ARTIST” . . . . LOL !!!!!!!
see: Vi Ser Pa Kunst – Facebook
ps: I’m so digging, how the color palette & ‘vibe’ of the mag cover – works so well, with the Andrew Guenther ‘Desert Island’ drawing, above.)
lone male artist dancing / lone female artist painting. sunsets / sunrises. swirls of pink & blue. pale yellow.
a moment of . . random visual sympatico, for sure.
“I DON’T GET IT!”
“OK”.
DRAWING BY MARTIN SKAUEN
lots of male parts . . in this post.
interview . . with ‘GEIR TORE HOLM: HOW TO BE A SAMI ARTIST.’
see: GEIR TORE HOLM – INTERVIEW ONLINE
that’s . . just how I talk to my huge Akita puppy !!
can definitely . . relate.
the Table of Contents . . .
got my eyeball – on you !!
Vi Ser Pa Kunst is published at irregular intervals / online & offline.
For advertisements, contributions and inquiries, contact: viserpakunst(at)gmail.com
www.viserpakunst.com
supported by ARTS COUNCIL NORWAY
PHOTOS: NANCY SMITH
~ANDREW GUENTHER . . GIFC, Agatha/Vi Ser Pa Kunst, NADA / NYC 2018 |
Posted in If I had $200, The Bomb | By Nancy Smith | March 14th, 2018, 11:37am
one of the highlights of strolling through NADA was catching this crazy, new age ‘pointillist’ (!!) painting by ANDY CAHILL. it absolutely floored me.
though it . . surprised me, NOT !!
that not one of the usual suspects / art bloggers, including the main stream art press – mentioned this work in their art fair coverage ?
how could anybody be so . . absolutely clueless about the strength & brilliance of Andy’s work ?
“one snake to another” / pretty much sums up the whole . . scene.
does, nothing ever change ?
you could define the term ‘herd mentality’ – by the art fair weekend, if nothing else.
ANDY CAHILL, ‘One Snake to Another’, at the SAFE GALLERY booth at NADA NYC 2018.
lookin’ good, Pal !!
too wonky – for words.
it reminded me of ancient Roman mosaics – on steroids.
SAFE GALLERY co-directors: SARAH WELSH ELLIOTT and PALI KASHI.
a gorgeous textile piece, ‘Double Runner’ by SOPHIE STONE, and pedal-pushed-to-the-floor . . assemblage by KARI CHOLNOKY, behind them.
PHOTOS: NANCY SMITH
~ANDY CAHILL . . SAFE GALLERY, NADA / NYC 2018 |
Posted in The Bomb | By Nancy Smith | March 13th, 2018, 11:45am
‘AUTO BODY Presents: SACRED STUDIO OBJECTS’ . . at 6BASE in the BRONX
OPENING RECEPTION . . TO-NITE / SAT MARCH 10, 2018 / 5 – 8 PM
the show is up thru APRIL 22, 2018
6BASE – 728 E.136th ST., 6B, BRONX, NY 10454
HRS: SAT & SUN / 12 – 5 PM or by appointment
The tomb of Bobby Smith, tiplet pigeon, will be on loan from the Babylon Cemetery for the next 6 weeks, to AUTO BODY’S presentation of sacred studio objects – at 6BASE in the BRONX.
IMAGE VIA INSTAGRAM @pigeon_pat
“Founded in 2016 by MARINA GLUCKMAN, 6BASE is a rotating artist’s studio & exhibition program in the South Bronx, New York. Artists are invited to use the space as their studio for a month and present their work in an exhibition following their stay. Occupying a floor of an industrial warehouse built in 1931, 6BASE is located in a loft that is divided into 7 bays. 6BASE is in one of these bays (approx 450 sq ft) & the others are the artist’s studios.”
read more: 6BASE/about
~AUTO BODY . . incl PAT McCARTHY / 6BASE in the BRONX / OPENING TO-NITE SAT MARCH 10 / 5 – 8 PM |
Posted in The Bomb | By Nancy Smith | March 10th, 2018, 1:40pm
‘PROGRADE TORADORE’ – FRI MARCH 9, 2018 / 6 – 11 PM
MADDIE BRAUN, SOFI BRAZZEAL, HANNAH BUONAGURO, NATHAN GWYNNE, JOSH FEIGIN, RYAN FOERSTER, JEN FISHER, RACHEL JAMES
READING STARTS AT . . 8 PM
FREE DOGS W DIRTY D OIL
CONSTANCE – 219 MADISON ST., CHINATOWN, NYC.
~’PROGRADE TORADORE’ . . CONSTANCE / 219 MADISON ST – TO-NITE FRI MARCH 9 / 6-11 PM |
Posted in The Bomb | By Nancy Smith | March 9th, 2018, 5:07pm
come hang out, on the stoop.
so,
‘ESSEX FLOWERS – HOME EDITION’ . . has a secondary, pop-up home !!
at this weekend’s . . NADA ART FAIR.
it’s a bit of a moveable feast, being cash & carry & also offerings shift around / make sure to ask: what’s up with DETROIT !!
the gallery’s 1st ‘HOME EDITION’ exhibit, running thru this Sun March 11, 2018 btw & which is a pretty major & very innovative multi-layered group show / located in their storefront, 19 Monroe St. deep in Chinatown / has bubbled up, in mini-format, & transformed into a . . ‘typical’ NYC brownstone stoop sale.
with . . some pretty special ‘home goods’ on display / y’all.
bubbled up, on the other side of lower downtown, at the Skylight Clarkson North, ground floor / warehouse-like . . 550 Washington St. in West Soho.
in the NADA 2018 Projects Space – Booth 4.23
JEFFREY TRANCHELL, of the ESSEX FLOWERS Gallery collective, curated the show, and built-up the ‘stoop’.
strictly speaking, it’s not quite a stairway to heaven, because it’s concentrated focus is on home ‘objects’ – that ‘function’, but that being said, everything is hand-made, one-of-a-kind, often fanciful, and often very wild !!
I mean: ‘little pink houses’ . . or what / ?!!
case in point, the KATIE STOUT – papier-mache, 3-legged chair Jeffrey is sitting on.
equal parts: home ‘decor’ & home ‘function’ / 100% . . wild.
DENISE KUPFERSCHMIDT, cute kitchen kitty (?) retro wall ‘kitsch’, was looking like clay . . but was actually FAUX. paint on cardboard and hardware.
the one painting, by . . MAX MASLANSKY, likewise appears to be both very decorative and functional, framed & sturdy, with a ‘pegboard’ motif, but . . gaze upon it just one moment longer, & watch it jump totally off the grid. what is, put so poker-faced before you, is quite the wild side, e-r-o-t-i-c.
‘ESSEX FLOWERS – HOME EDITION’ – NADA.
is quite the . . contrary corner.
an ‘ornamental’ gate by MICHAEL WETZEL, is seemingly totally functional, and yet dreamy / minimalist.
yet also, British arts & crafts Romantic, meets American light-hearted . . gothic ?
yet that also might be illusion, turns out. because,it’s more mural, than metal gate / being crafted of pink foam & aqua resin !!
the colored ‘glass’ inserts are plastic.
still, a pretty picture – and could be a real nice room divider, for real !!
it also veers the vibe, from what could have been heavily ‘wacky’, towards almost . . chapel-like. reverent.
a very reflective, architectural melody . . amidst a huge chaotic art fair, which has all but fallen away.
but, the main focus of the ‘stoop sale’ . . is its array of ceramics.
except of course, for that weirdo, rolled-up . .
slightly craft-beaded,’Tweety-Bird’ blanket – more on that, later.
when I first turned the corner, and came upon this 3-D build-out, and, I guess also because of the stained glass chapel-like ‘gate’ above, all my first impression was: candleholders & shiny glazed vessels, . .
I thought, wow: how fun. this booth looks just like a gift shop in the Jewish Museum, or the Met / thinking that was totally . . cool.
but, apparently, the Essex Flowers crew ain’t nothing, if not . . contextually, conceptually, many-layered !!
I mean, somethings were candle holders, and somethings were . . not.
and now, I don’t even think there were any candle holders, at all.
I mean, nothing was . . candlesticks !!
these were long-necked vases !! but maybe, they could . . hold candles ?
many of the ceramic art works Jeffrey was showing were a real treat, not just for their forms, & glazes, but because they are not local, but artisan-artists from the burgeoning new Detroit art scene. a fluid ceramics collective who go by the name of their small ‘rural’ town, which Detroit has grown to encircle – HAMTRAMCK, HAMTRAMCK CERAMCK .. !!
def, see: HAMTRAMCK CERAMCK/about
this was a faux cactus, growing in a pot – by JESSE HAMERMAN.
this was a pretty nice bowl, to eat your morning porridge in.
it was fashioned by . . BB / BRADEN BAER, of the HAMTRAMCK collective.
sometimes their pottery is just branded, ‘Hamtramck’ & sometimes it is signed by the individual artist.
this was actually, a working ‘Statue of Liberty’ lamp – by JORY RABINOVITZ !!
and this was an ‘ET’ . . fill-in-the-blank-yourself !! by . . MAGGIE SULLIVAN !!
whether it works or not, is prob best left – up to your own imagination.
‘DRAKE’ mug, by BENNY SAGINAW, one of the HAMTRAMCK founders.
as in, the Real, Fake . . ‘McCoy’ !!
a popular American . . commercial pottery, from the past.
could this gorgeous thing, be a candle holder ?
actually I think it’s a vase for some very lucky, long stemmed flowers.
it was made by PATRICK QUINN, of HAMTRAMCK !!
this piece was made by AMBER LOCKE, also of HAMTRAMCK CERAMCK.
it’s a . . toothbrush holder.
reverse magic / AMBER LOCKE, ‘toothbrush holder’. HAMTRAMCK CERAMCK.
also hanging on the faux brick wall, a small clay mosaic by JONATHAN HARTSHORN.
there are several, ask Jeffrey to show you them.
coming back down to the earthy, earth earth – a few offerings by TD / THEODORE SIDEL.
oh yeah, that . . . “TWEETY-BIRD” !!
that’s . . mine !!
“LOOKIN GOOD, PAL!”
NANCY SMITH, ‘SpongeBob . . meet TWEETY-BIRD’, 2018.
44 x 30 in.
Reclaimed & hand-stitched repair . . of a thrift shop / vintage ‘SpongeBob SquarePants’ children’s fleece.
using:
vintage sequin patches: ‘Tweety Bird’ & ‘Warhol’s Marilyn’ (!!) / the damage is hidden by the Marilyn patch,
assorted vintage plastic craft beads, vintage plastic buttons, & vintage baby trinkets.
cotton embroidery thread.
PHOTOS: NANCY SMITH
`ESSEX FLOWERS – HOME EDITION’ . . NADA / NYC 2018 |
Posted in The Bomb | By Nancy Smith | March 9th, 2018, 1:25pm
ESSEX FLOWERS . . ‘HOME EDITION’
OPENED FRI FEB 23, 2018
and runs thru this SUN MARCH 11, 2018
ESSEX FLOWERS, 19 MONROE ST, CHINATOWN
HRS: SAT & SUN / 12 – 6 PM
the main room was brightly lit, pun intended !!
it had many more artists, and they all played off each other, in a nice, ‘cool’ way.
coming out of that almost ‘ritualistic’ home life, that was the multi-layered front room, this was almost like stepping off the escalator in Macy’s, iF !!
Macy’s was totally cutting edge, and absolutely . . WONKY !!
here’s a very personal sampling / best case scenario: GO SEE IT, FOR YOURSELF !!
coming around the ‘Privacy Screen’/ RUFUS TUREEN’s room divider, was a nice mythical bridge of both worlds: form, function, & flat-out expressionistic / DIY erotic . . mythology !!
in other words: the (very) deep end . . of ‘FAMILY’ LIFE.
3 hand-painted silk scarves by SOPHY NAESS. 22 in. sq., 100% silk.
with a glimpse into the CATBOX CONTEMPORARY . . ‘CATELLITE’, featuring miniature paintings by NICK IRZYK, on the right.
SOPHY NAESS, 3 hand-painted . . silk scarves.
SOPHY NAESS, hand-painted silk scarves.
bubble bath !!
detail, CATBOX CONTEMPORARY . . visiting ‘platform’ / ‘CATELLITE’.
miniature murals, by NICK IRZYK, inside the CATBOX . . ‘Catellite’.
they beckon . . come in. come in. come in.
walk on the mini side !!
& don’t take things, like . . scale / gallery walls, home life ?
. . for granted.
yes, HOME LIFE, is serious .. fun.
COLBY BIRD, shovel.
glimpsed . . on either side,
‘Mirror’ and ‘The Square’, inkjet print mounted on plywood by . . OFRA LAPID.
COLBY BIRD.
ILANA HARRIS-BABOU, dysfunctional ceramic tools.
MARTHA MYSKO, ‘Peach Cinder’, 2017.
from “Selective Memory” / house paint, nail polish, artificial plant, cinder block.
ANDREA McGINTY, ‘Untitled’, 2018.
coffee maker, digital photo custom printed book.
MELISSA BROWN, ‘THE TABLOID DECK’ . . Novelty ‘Predictive’ . . Playing cards !!
ERIKA SOMOGYI, ‘rainbow’ . . . clay & yarn.
vessels & craft / kitchen pot holders, made on a tiny kids’ loom.
RACHEL DOMM, Lay’s Wavy Chips . . ceramic, 2017.
AMY RUHL, The Royal Historian of Oz, Il. . . .
‘MOMMY’, from the “Between Tin Men’, Collection / ceramic.
PHOTOS: NANCY SMITH
~’HOME EDITION’ . . ESSEX FLOWERS / OPENING PIX – PART III / DESIGN INNOVATION !! FINAL WEEKEND !! |
Posted in The Bomb | By Nancy Smith | March 8th, 2018, 10:24am
