so long, ALFIE !!
yep.
Still, finding s-o-l-a-c-e for Alfie / Alfredo Martinez – The Real Fake Basquiat, RIP
in all . . the right places.
may you be on your way – to sweeter, kinder, and smarter . . pastures.
DINI DIXON , ‘I’m Basking’, 2022.
Porcelain, Kintsugi. 7.5 x 5 x 4.75 in.
image courtesy of the gallery
ED. VARIE is pleased to present:
DINI DIXON – ‘DEPICTING RESURGENCE’
a SOLO SHOW of NEW ARTIFACTS / CREATED in COLLABORATION with ARTSHACK, BROOKLYN
the ARTSHACK RESIDENCY PROGRAM -&- is CURATED BY: ALVA CALYMAYOR.
OPENING RECEPTION – FRI SEPT 8 / 6 – 9 PM
the exhibit continues thru . . . SUN SEPT 24, 2023.
ED. VARIE, 95 Avenue B, Ground Floor, L.E.S., NYC 10009
just off Tompkins Square Park, take the L to 1st Ave; F to 2nd Ave; or 6 to Astor Place.
Gallery & Bookstore HRS: Weekends 12 – 6 PM
& also by Appointment
a little about . . DINI DIXON:
“this is a new body of work from the California and New York-based artist . . created in collaboration with Dixon’s summer residency at Artshack, Brooklyn. For the past 10 years, clay has been Dixon’s primary medium. It is through the unruly medium of clay that Dixon feels she can most intuitively express the precarious quality of the mind & externalize her emotions.
The resilience Dixon observes in nature is a beautiful representation of malleability. The forest is always adapting to changes in climate; stalks & flowers are fortified by the wind, cold, and other challenges. Similarly, the mind can evolve after traumatic experiences. Threats in nature are visible whereas the emotional struggles people face are frequently internal. In order to heal the spirit one must first acknowledge conflicts, giving them a tangible state that can be deconstructed. Often difficult as our personal struggles can be pitted against us.
Clay is often associated with fragility and vulnerability, similar to qualities women are asked to disguise in order to be taken seriously. Dixon confronts these associations by subverting conventions of the craft, allowing cracks that materialize to show. Visible flaws embody the transparency surrounding mental health Dixon celebrates in her work.”
DINI DIXON b. 1991, Santa Barbara, CA, received a BFA in Ceramics from Pratt Institute in 2015. Dixon works on her ceramics & clay animation at her studio in Brooklyn.”
~ED. VARIE PRESS RELEASE
~DINI DIXON . . ‘DEPICTING RESURGENCE’ / ED. VARIE / LOWER EAST SIDE, NYC / OPENS FRI SEPT 8 |
Posted in The Bomb | By Nancy Smith | September 8th, 2023, 9:16am
still seeing . . . . s-o-l-a-c-e for ALFIE / ALFREDO MARTINEZ – THE REAL FAKE BASQUIAT, RIP
in all the right places !!!!
‘ANTONE KONST: IN a SEA of NOTHING’
SEPT 6 – OCT 28, 2023
JACK TILTON GALLERY, 8 EAST 76th St., NYC
ANTONE KONST, ‘The Lady (Dancer with Flutes)’, 2023.
oil on linen / 82 x 86 in.
image courtesy of the artist
in the invite:
ANTONE KONST, ‘Flowers’, 2023.
oil on linen / 125.5 x 77 in.
~ANTONE KONST . . ‘IN A SEA of NOTHING’ / JACK TILTON GALLERY, NYC |
Posted in The Bomb | By Nancy Smith | September 8th, 2023, 8:42am
meanwhile, over in Detroit – things are a little bit less gritty,
but, no less hard-core.
but, maybe – more dirty ????
or, dir-tay, as they say !!!!
Par-tay on !!!! Detroit !!!! !!!!
and, if Alfredo’s ghost is flitting about – my man, go find some . . respite.
among – the flowers.
shout out to: JEFFREY TRANCHELL.
PLANT EXCHANGE – @lavendercountrydetroit
SAT SEPT 30, 2023 / 4 – 7 PM
12333 MacKay, DETROIT
seeds, starters / bulbs & clippings / house plants, too
GIVE / TAKE / TRADE
~LAVENDER COUNTRY DETROIT / PLANT EXCHANGE / GIVE, TAKE, TRADE / DETROIT / SAT SEPT 30 |
Posted in The Bomb | By Nancy Smith | August 31st, 2023, 10:53am
LABOR DAY WEEKEND . . . !!!!!!!
‘MANY MOONS’,
PAINTINGS BY ALBERT SHELTON aka REALIST_RADIO
CLOSING PARTY & BBQ – LABOR DAY, SEPT 4 / 3 – 7 PM
FREDDY’S BAR & BACKROOM /
627 5th Ave., Brooklyn, NY
ALBERT SHELTON, ’90 Seconds to Midnight’, 2023.
watercolor, sumi ink on Arches paper.
24 x 18 in.
USD $400 (SOLD)
image courtesy of the artist
ALBERT SHELTON, ‘Springs Eternal’, 2022.
watercolor, sumi ink on Arches,
24 x 18 in.
USD $500
image courtesy of the artist
ALBERT SHELTON, ‘Space Dusted’, 2023.
oil on canvas
48 x 36 in.
USD $3,000
image courtesy of the artist
~ALBERT SHELTON . . ‘MANY MOONS’ / FREDDY’S BROOKLYN / CLOSING PARTY & BBQ / SEPT 4 |
Posted in The Bomb | By Nancy Smith | August 30th, 2023, 10:09am
you wanna see . . chaos, baby ?!!
blasting out-of-control fires, death valley deserts, barreling cars, & blown-up starry . . skies !!
then, get your sorry ass down to FREDDY’S DIVE BAR – in BROOKLYN.
‘MANY MOONS’ . . .
Paintings by ALBERT SHELTON aka @REALIST_RADIO (IG)
On View until . . . SUN SEPT 3, 2023
FREDDY’S BAR & BACKROOM* /
627 5th Ave., Brooklyn, NY
HRS: 12-4 AM
MON & WED: COMEDY
TUES: RESIDENCIES
THURS: BURLESQUE
FRI & SAT: MUSIC / see website for upcoming events
*not to be confused with FREDDY’S UPSTATE / which is a re-commissioned rural church /
curatorial project run by . . Josh Abelow
~ALBERT SHELTON AKA REALIST RADIO / ‘MANY MOONS’ / FREDDYS / BROOKLYN / up thru . . SEPT 3 |
Posted in The Bomb | By Nancy Smith | August 24th, 2023, 12:29pm
I am very sorry to tell everybody . . .
that ALFREDO MARTINEZ aka The Real Fake Basquiat / passed away in his sleep, this past Sunday Aug 20, 2023.
After a long illness, may he be . . . at peace.
he was something like, 54.
ALFREDO MARTINEZ, with one of the big guns he used to assemble from online parts, in his New Jersey studio.
March 28, 2020.
Photo: Courtesy of the Artist
a young 30ish, ALFREDO MARTINEZ, just hitting the art scene / at a presentation he did at EXIT ART, curated by KENNY SCHACTER.
Soho, NYC. March 25, 1999.
Archival Photo by: NANCY SMITH /
shown inserted into a large paper ‘quilt’ / I did of Alfredo, and his work, for one of his group shows, that never materialized, but that’s – a whole other story (!!)
NANCY SMITH, ‘ALFREDO MARTINEZ SOUVENIR – PAPER QUILT’, 2021.
with archival 35mm photos, original exhibition invites, glue stick, mylar, card-stock, etc.
approx. 6 x 6 ft.
(left), JOSH HARRIS, of ‘WE LIVE IN PUBLIC’, and Pseudo fame; and . . . ALFREDO MARTINEZ re-enact the famous Andy Warhol + Basquiat pose / to commemorate Josh’s facilitation of Alfredo’s safe return from secret detention in China, (I absolutely kid you, not !!).
Photographed in Jeff Gompertz’s loft in Williamsburg, Brooklyn, NY, in the summer of 2010.
Archival Photo by: NANCY SMITH / also inserted into my ‘ALFREDO MARTINEZ – SOUVENIR PAPER QUILT’, of 2021.
JEFF GOMPERTZ built the 99+ resident artists’ pod hotel that featured prominently in, ‘Quiet’, the early tech / surveillance-wired, $1 million+ dollar, New Year’s Eve blow-out bash / and, no-holds-barred, 24/7 interactive art installation, which spanned multiple floors of a gritty, old downtown warehouse, in Tribeca, on Broadway, that Josh Harris and Pseudo, his early dot.com / multi-media company produced – to celebrate the Dawn of the 2020 Millennial, and which also included / one of Josh’s many anti-technology touches, a live stripper window, until neighbors complained. and which managed to run for almost 2 weeks, despite tons of outrageous press / until it was shut by the PDNY, the NYFD, and FEMA, all the same time !!
they thought at one point, we were a suicide cult. / nope !!
we were just bio-humans about to hit the new age of computers and social media, big time / and, we weren’t going – quietly. even as we created it, bye the way.
catch that – if you can. and yes, that was B-I-O, with a capital B.
ALFREDO, ran the notorious ‘shooting gallery’, stocked with real, and very big guns, that anyone could take a turn shooting, under the supervision, of a gun pro, of course in the basement. (and, there were no accidents by the way, which was pretty crazy considering the entire place was open to the public 24/7 for almost 2 weeks, and there were open, and I mean: FREE!! bars on every floor, pretty much almost every night. (I kid you, not !!)
In fact, Josh and Alfredo were able to get the ‘Shooting Gallery’ up and running; with a ‘FILM PROP-PERMIT’, which in a way – it was,
as ‘Quiet’, the exact, and extreme opposite of it’s moniker, and that’s an under-statement / and it’s frontier, tech-era streaming, live surveillance – went on to become the heart and soul, of ONDI TIMONER’S 2009, Sundance Grand Jury Award winning documentary . . ‘WE LIVE IN PUBLIC’, which has an ’86’ rating on Rotten Tomatoes, by the way.
and it’s still – very much alive, and kicking.
and therefore, so will be: Alfredo. RIP.
~ALFREDO MARTINEZ / RIP |
Posted in The Bomb | By Nancy Smith | August 22nd, 2023, 6:21pm
DARLA ROSE TAYLOR . . . . . !!!!!
DARLA and the DARLINGS . . . !!!!!!!!!!
DREAM POP – COME & GET ME . . . !!!!!
LIVE with . . . DJs DIRTY PRESTON, THOMAS SCHMID & MICHAEL WYNNE /
HIGHLAND PLACE & MAPLEWOOD AVE., MAPLEWOOD, N.J. / 6 PM SHARP / SAT AUG 19th.
def, listen to the track: Darlaa – ‘Shadows’ / Distrokid
and, check out: . . . @darlaamusic on Instagram
~DARLA and the DARLINGS / MAPLEWOOD, NJ / SAT AUG 19 / 6 PM SHARP !! |
Posted in Indie Music Reviews, The Bomb | By Nancy Smith | August 18th, 2023, 4:20pm
speaking about: MAGIC . . . !!
there’s LIGHT & SOUND / in them there, plants & water !!
ESTEBAN CABEZA de BACA, HEIDI HOWARD / WAVE HILL AQUATIC GARDEN
photo via Instagram @wavehill
‘LIGHT FROM WATER’ . . .
WAVE HILL’S next exhibit, begins – this SAT AUG 19, 2023 /
the exhibit, in Wave Hill’s GLYNDOR GALLERY, “features collaborative works by artists HEIDI HOWARD & ESTEBAN CABEZA de BACA, some inspired by Wave Hill’s stunning Aquatic Garden.”I have always been fascinated by ponds,” comments Howard about the experience of creating work in that serene garden space, “My mother – LIZ PHILLIPS, also in the show – grew up next to a pond and spoke about it as if it were her best friend.” For Cabeza de Baca, the Aquatic Garden is special “because of how it reflects light in water and water buoyantly refracts light, which became the guiding principle for the exhibition.”
the exhibit runs thru . . NOV 26, 2023.
def, see: WAVE HILL PUBLIC GARDEN and CULTURAL CENTER
4900 Independence Ave., BRONX, NY 10471
see: more about: ‘Light from Water’ – WAVE HILL WEBSITE
note: the ‘ARTISTS RECEPTION’ is on – SUN SEPT 17, 2023 / 1-4 PM
~HEIDI HOWARD, ESTEBAN CABEZA de BACA, with LIZ PHILLIPS / ‘LIGHT FROM WATER’ / WAVE HILL / BRONX NY / SAT AUG 19 – NOV 26, 2023 |
Posted in The Bomb | By Nancy Smith | August 18th, 2023, 12:27pm
there’s magic – in them, there . . . weavings !!
one of the reasons I’m so attracted to SAMANTHA BITTMAN’s current weavings,
apart from the incredible . . color-ways !!!!
is because they are based on, or more properly: inspired by . . !!
traditional, early American weaving, specifically, utilitarian / bedspread coverlets.
as I repair early American quilts, and completely by hand-stitch by the way; the history and development of early American textile handicraft – is obviously of great interest to me, just as say; Shaker sweater knitting is – to Emily Bode.
Samantha’s weaving style predates Shaker times, and goes all the way back to – colonial times.
SAMANTHA BITTMAN, Large Weaving, ca. 2023
image via Instagram @forelandcatskill / Catskill Weaving School
Samantha’s recent series of loom-based artwork, are . .
“Block Double Weave” in structure, which was used in early American coverlets.”
“detail of an Overshot coverlet. Courtesy RUTH BIGEL ANTIQUES, New York City” /
photo illustration in: ‘The Knopf Collectors’ Guides to American Antiques’, ‘QUILTS, with Coverlets, Rugs & Samplers’, A Borzoi Book / Published by Alfred A. Knopf, Inc / First Printing, 1982.
(in my personal vintage crafts book collection).
above: Above is a traditional Colonial ‘Overshot’ woven coverlet, which was also produced in Colonial times.
here is the brief text / from the ‘The Knopf Collectors’ Guide’:
OVERSHOT WEAVING:
“Made on four-harness looms, Overshot coverlets are among the earliest American woven bedcovers. The name ‘overshot’ describes the weaving technique. The horizontal, or weft, threads were allowed to skip, or ‘overshoot’ three or more vertical, or warp, threads at a time, giving the coverlet a thick but loosely woven appearance . . . The warp threads were generally made of natural, undyed cotton, and the weft of dyed wool. The cotton added strength to the textile while the wool gave warmth. Overshot coverlets made after 1830 used a colored warp as well as multicolored wefts. Patterns usually combine stripes, squares, and diamonds, using a ‘floating’ weft of colored thread over the plain background. Because of the narrow (home) loom frame, (then in use), these coverlets were always made of two pieces, (which were then attached, by being ..) seamed up through the middle.
In the South it was believed that an uneven seam would turn away evil spirits, and insure good luck for the person who used the spread.”
FYI:
that’s something akin to the early (universal & colonial) quilters’ belief . . that an ‘error’ showed the hand of G-d was present in the quilt / if you can’t celebrate a tiny mistake in a patchwork quilt, or it seems, in a hand-woven coverlet, you shouldn’t be a quilter, nor it seems – a weaver / as mistakes happen, on all hand-made items, and you can’t just unravel the whole thing, and start again / it’s too laborious, especially for a utilitarian object / and who knows !!!! / the next piece – might have even bigger mistakes.
plus, it’s also the universal, but especially early American Puritan colonist / crafts persons’ concept of needing humility vs. vain pride / only G-d is perfect. sometimes you will even come upon old patchwork quilts that have an obvious ‘mistakes’, such as an inverted shape, wrong color, or totally ‘off-the-grid’ patch – that was deliberately placed / so as to insure divine presence and a plea for humility. inspiration is bigger – than ‘utilitarian’.
creation is a – lofty endeavor.
and, just because . . . !!
I came across this image – while doing research for the above.
nevermind divine, skilled, and magical / I would call this: ECSTATIC.
“Detail of an overshot coverlet (indigo blue wool and white cotton) found at Pleasant Hill, Shaker Village”.
‘Shaker Textile Arts’, Beverly Gordon, 1983.
Published by the University Press of New England,
with the Cooperation of the Merrimack Valley Textile Museum and Shaker Community, Inc.
Hanover, New Hampshire and London, England.
(in my personal vintage crafts book collection).
~Traditional American COVERLETS / Colonial Era Weaving / SAMANTHA BITTMAN / with a side of . . SHAKER !! |
Posted in The Bomb | By Nancy Smith | August 18th, 2023, 11:06am
looking – right on point . . . !!!
seems SAMANTHA BITTMAN . . .
is the artist-founder of @catskill_weaving_school, with a new branch at FORELAND CATSKILL, UPSTATE NY,
as well as an associate branch in E. Williamsburg, Brooklyn NY.
FALL CLASSES ARE – NOW OPEN FOR REGISTRATION . . . !!!
see: CATSKILL WEAVING SCHOOL
CATSKILL WEAVING SCHOOL . . . is an artist-run weaving school based in Catskill,
at Foreland Catskill /
and will occupy gallery space on Water St. – in the Foreland Catskill Flagship Building /
110 Water ST., Catskill, NY. 12414
CATSKILL WEAVING SCHOOL at FORELAND CATSKILL
image via Instagram @forelandcatskill
Large weaving by – SAMANTHA BITTMAN
image via Instagram @forelandcatskill
~SAMANTHA BITTMAN . . CATSKILL WEAVING SCHOOL / FORELAND CATSKILL, UPSTATE NY |
Posted in The Bomb | By Nancy Smith | August 17th, 2023, 12:44pm
